Tomorrow, April 22, Venus in Taurus makes a conjunction with Uranus. Venus’ conjunction with Uranus offers grounding connections to sustain impulses toward authenticity and freedom throughout the ongoing Saturn/Uranus squares. Notice how Venus entices us to cultivate radical new patterns of relating throughout the year, particularly on July 8 when Venus in Leo makes a square to Uranus, on August 3 when Venus in Virgo makes a trine to Uranus, on September 23 when Venus in Scorpio makes an opposition to Uranus, and finally on November 19 when Venus in Capricorn makes an overcoming trine to Uranus. The trine on November 19 occurs the same day as the lunar eclipse in Taurus, just two days after the Mars/Uranus opposition, suggesting that whatever is culminating and breaking through in mid-November has the potential to bring us into greater loving connections with others, with beauty, and with justice. Tomorrow’s conjunction is the start of this Venus/Uranus cycle, so attend to what is being seeded now in order to witness how this story unfolds in the year ahead. Commit yourself to revolutionary care, and then devote yourself to the process of daring to love in ways that break from established patterns—your own and those you have received from society—knowing that doing so is necessary for our freedom. As adrienne maree brown write, “We need to learn how to practice love such that care—for ourselves and others—is understood as political resistance and cultivating resilience.”
[Image reads: VENUS CONJUNCT URANUS IN TAURUS 22 April 2021 in bright pink lettering on a chartreuse background]
I’m so excited about this talk I am giving next month!
Astrology as an Artistic Practice: As It Is Made, So It Makes
Online webinar produced by Inner Sense Healing Arts as part of the Chicago Astrology Speaker Series
Sunday, 16 May 2021, 3:00-4:30pm eastern (2:00-3:30pm central)
Link for registration on my Events page.
Astrology is a fundamentally creative practice in which we craft meaning, developing compositions with the materials of light and spacetime, archetypes and symbols, words upon words articulating connections between celestial phenomena and earthly experiences. The development of astrological interpretations and delineations is never reducible to a cypher of one-to-one correspondences, like a code in the sky awaiting decryption. Rather, doing the work of astrology is more like creating and interpreting art, generating perspectives that did not exist prior to our careful engagement with the sky and our intentional sense-making and choice-making in the spaces between determinacy and indeterminacy. In this talk, astrologer and artist Michael J. Morris will discuss what can be generative in considering astrology as an artistic practice. With a PhD in Dance Studies and many years teaching in both the arts and humanities, they will invite us to ask: what frameworks for understanding the production of knowledge do we prioritize when we consider the field of astrology, and how might frameworks for knowledge production that are particular to the arts allow us to not only understand more of what we do with astrology but also to destabilize the preeminence of ways of knowing that often dominate discussions of our field?
On 14 April, Venus ingresses into its domicile of Taurus where it will remain until May 9. In Taurus, Venus draws us back to sensual pleasures, to the grounding resources of touch, feeling our feet on the ground and our fingers in the earth, our skin pressed against the skin of another, the taste of the world unfolding through flavors on our tongues, the scent of satisfiability lingering in the air around us. Venus in Taurus insists on taking all the time that we need in order to feel more and feel good. Once we have known our capacities for these depths of feeling, they can become a standard for the quality of life we can demand from ourselves and our world. As Audre Lorde writes in “Uses of the Erotic: The Erotic as Power,” “The erotic is a measure between the beginnings of our sense of self and the chaos of our strongest feelings. It is an internal sense of satisfaction to which, once we have experienced it, we know we can aspire. For having experienced the fullness of this depth of feeling and recognizing its power, in honor and self-respect we can require no less of ourselves.” Venus in Taurus in an invitation to ground ourselves in our own physical, sensual experiences of satisfaction, and to hold ourselves and our lives to the standard of that fullness of feeling. Co-present with Uranus, Venus is ruling revolutionary terrain, reminding us that our bodies already hold all that we need to know about our own personal and collective liberation. As we not only root deeply into our pleasures but also, as adrienne maree brown writes in Pleasure Activism, “prioritize the pleasure of those who are most impacted by oppression,” we tend the gardens of justice, in which everyone has access to what they need—including feeling good. Throughout the next several weeks, how can you not only prioritize your own pleasure and satisfaction, but also use whatever privilege is available to you to support more pleasure and satisfaction for those who are most marginalized and denied pleasure in our culture?
[Image reads VENUS INGRESSES INTO TAURUS 14 April 2021 in light green lettering on a rose colored background]
I am so excited to share this event!
Witchdancing for Beltane
Sunday, 2 May 2021, 5pm eastern
Facilitated by Michael J. Morris
Original soundscore by Moxy Martinez
In honor of Beltane, in celebration of the abundant life of springtime and the fires of the lengthening days, we will gather together in an hour-long movement ritual practice called Witchdancing. We had an amazing time gathering for this practice back in February, and I’m really excited to share it again with people in alignment with one of my favorite sabbats of the year. This practice asks: what if a dance is also a spell with which we conjure our bodies and the worlds in which they live? In Witchdancing, we move through a continuous series of images, qualities, and states, engaging in a metamorphosis of the body. The movement is improvisational and requires no previous dance experience. This practice emerges from nearly 20 years of experience in both witchcraft and Butoh—a Japanese postmodern dance form—and it is inspired by the work of Alkistis Dimech, Tatsumi Hijikata, Kazuo Ohno, Anna Halprin, and Keith Hennessy.
Donation-based movement ritual practice
As a participant in reparative justice, this event is free to all Black, Indigenous, and People of Color. I ask that all others donate to support the event, with a suggested scale of $20-30.
Link for registration on my Events page.